Everything brings us back to the body

2025

“Everything brings us back to the body”, writes Achille Mbembe in his 2020 essay The Universal Right to Breathe, a response to the first COVID lockdowns. That same year, Ehsan Hemat began the initial research for this work, which explores the physical potential of an 18-kilogram brass sheet. Drawing inspiration from the poetry of Rumi and Gaia theory, Hemat experiments with reflection and echo to create a duet between the human and the non-human, engaging them as equal partners.

The performance unfolds as a dialogue between the body and the core of the Earth, using movement, sound, and voice to explore both intimacy and resistance. Beneath the striking imagery lies a confrontation with histories of exploitation, ecological degradation and the systemic denial of a universal right to breathe.

 
Achille Mbembe is a prominent Cameroonian philosopher and historian, known for his work on postcolonialism and African philosophy. His focus on the body’s centrality during the pandemic underscores the embodied experience of illness, isolation, and resilience.
Rumi was a 13th-century Persian poet, mystic, and theologian whose writings delve into themes of love, spirituality, and the interconnectedness of all beings.

Gaia theory is a scientific hypothesis that views the Earth as a self-regulating system composed of all living organisms and their physical environment.

 

Premiere: 12 maart 2025 – Monty, Antwerpen, (BE)

 

Choreography and performance: Ehsan Hemat  
Sound design: Roeland Luyten  
Dramaturgy: Yasen Vasilev  
Scenography: Erki De Vries
Light design: Kurt Lefevre
Voice coach: Selma Banich 
Technics: Lucas Van de Voorde
Dramaturgical advice: Hildegard De Vuyst 
Production: Julie De Clercq / 2nd to the right 
Co-production: Monty, C-TAKT, MC93, DansiT 
Developed at: laGeste 
With the support of: the Flemish Community, STUK, nona 
International distribution: StepTurnMove

© Dewi Mik