about

Roeland Luyten (b. 1977, Leuven) is a Belgian composer specializing in electroacoustic music. He first encountered electroacoustic sound through science-fiction and horror films he watched as a child. At the age of eight, he began studying flute at the music academy in Leuven. During secondary school he taught himself electric guitar and experimented with effects pedals. While studying classical flute at the Royal Conservatory of Antwerp, he discovered his true passion in the electroacoustic composition studio under the guidance of Joris De Laet.

Specializing in texture, granularity and spatial audio in multichannel configurations, he approaches sound as a malleable material. In addition to his autonomous compositions, Roeland creates sound design for the performing arts, particularly theatre and dance, in collaboration with companies such as Carte Blanche (NO), fieldworks (BE/NO) and Opera Ballet Vlaanderen. His work integrates composition, sound design and technical realization in dialogue with choreography and scenography.

His music is performed internationally and has been awarded in competitions including Destellos, Métamorphoses, Città di Udine and Pierre Schaeffer, and selected for festivals such as MA/IN and BEAST FEaST. Roeland is a member of the Belgian Federation for Electroacoustic Music (BeFEM).

  • 2024: Second prize in the XVI Acousmatic Music Composition Competition Destellos 2024 of the Foundation Destellos (Argentina) for the work “Gritscape“.
  • 2023: Selected on MA/IN 2023, international electroacoustic music festival Matera Intermedia in Matera, Italy for the work “Gritscape”.
  • 2018: First prize & Public prize (ex aequo) in the “10th biennial acousmatic composition competition Métamorphoses 2018” of Musiques & Recherches (Belgium) with the composition “Knars”
  • 2017: Jury member for the “10th International Competition of Electroacoustic Music Composition of The Foundation Destellos”  (Argentina).
  • 2017: Selected on BEAST FEaST 2017, the international electroacoustic music festival in Birmingham, United Kingdom for the piece “Helena”.
  • 2016: Selected on MA/IN 2016, international electroacoustic music festival Matera Intermedia in Matera, Italy for the work “Helena”.
  • 2014: First prize in the “7th International Competition of Electroacoustic Music Composition, Category Acousmatic, of The Foundation Destellos” (Argentina) for the work “Helena“.
  • 2014: Finalist at the “Electro-acoustic music” section of the international composition competition “Città di Udine” – Tenth Edition (2014) – TEM, (Italy) for the composition “Helena“.
  • 2014: Special mention at the “8th Biennial Acousmatic Composition Competition Métamorphoses 2014” of Musiques & Recherches for the piece “Helena“.
  • 2012: Nominated in the “5th International Competition of Electroacoustic Composition and Visual-music” of the Foundation Destellos in Buenos Aires, Argentinië for his work “INERT”.
  • 2010: Finalist at the “8th International Competition for Composers “Città di Udine” – Tenth Edition (2014) – TEM” in Italy for the work “Hooks”.
  • 2010: Special mention at the “6th Biennial Acousmatic Composition Competition Métamorphoses 2014” of Musiques & Recherches for the piece “Hooks”.
  • 2005: Third prize at the “5th International Computer Music Competition, Pierre Schaeffer 2005” in Italy for the piece “Decyclage”.
  • 2005: Composition commission by the Flemish Community provided by Logos Foundation in Ghent.
  • 2004: Nomination in the category of multimedia on the “31ème Concours International de Musique et d’Art Sonore Electroacoustique” at Bourges (France) for the music of the dance performance “roest”, a production of VZW Kwaadbloed.