P i x e l is an electroacoustic composition based on the concept of sound as texture. It builds on the idea of the sonic “point”—a minimal sound fragment. These points accumulate into spots, and spots evolve into larger figures: from point to spot to figure. This process of building from the inside out, from particle to cluster to form, became a foundational method in my subsequent compositional work.
The composition incorporates and transforms material from earlier sound work, recontextualizing it within new passages. The focus throughout is on microscopic sonic structure and the way minimal elements generate complex textural forms.
Techniques such as granular synthesis and algorithmic triggering shape these sound particles, creating evolving electroacoustic textures that shift between clarity and continuity.
