
“Everything brings us back to the body”, writes Achille Mbembe in his 2020 essay The Universal Right to Breathe, a response to the first COVID lockdowns. That same year, Ehsan Hemat began the initial research for this work, which explores the physical potential of an 18-kilogram brass sheet. Drawing inspiration from the poetry of Rumi and Gaia theory, Hemat experiments with reflection and echo to create a duet between the human and the non-human, engaging them as equal partners.
The performance unfolds as a dialogue between the body and the core of the Earth, using movement, sound, and voice to explore both intimacy and resistance. Beneath the striking imagery lies a confrontation with histories of exploitation, ecological degradation and the systemic denial of a universal right to breathe.
Gaia theory is a scientific hypothesis that views the Earth as a self-regulating system composed of all living organisms and their physical environment.
Premiere: 12 maart 2025 – Monty, Antwerpen, (BE)
Choreography and performance: Ehsan Hemat
Sound design: Roeland Luyten
Dramaturgy: Yasen Vasilev
Scenography: Erki De Vries
Light design: Kurt Lefevre
Voice coach: Selma Banich
Technics: Lucas Van de Voorde
Dramaturgical advice: Hildegard De Vuyst
Production: Julie De Clercq / 2nd to the right
Co-production: Monty, C-TAKT, MC93, DansiT
Developed at: laGeste
With the support of: the Flemish Community, STUK, nona
International distribution: StepTurnMove